This 62-page instrument pack ties directly into our Introduction to Steel Band text book and helps students individually develop on their instrument. The Double Seconds Pack is filled with technique instruction, photos, exercises and etudes written specifically for the double seconds pan. Additionally, the Double Seconds Pack includes 120 reading exercises that may be studied individually or with the class. Contents include:
Probably Elgar’s best remembered and most played composition from it’s use in graduation ceremonies, this march highlights the ability of the ensemble to present contrasting expressive moods in a single piece.
This beautiful aria is often erroneously attributed to J.S. Bach due to its inclusion in the Notebook for Anna Magdalena Bach, but was most likely written by the German composer Gottfried Heinrich Stölzel.
Double Seconds Pack
$15.00
This 62-page instrument pack ties directly into our Introduction to Steel Band text book and helps students individually develop on their instrument.
Description
This 62-page instrument pack ties directly into our Introduction to Steel Band text book and helps students individually develop on their instrument. The Double Seconds Pack is filled with technique instruction, photos, exercises and etudes written specifically for the double seconds pan. Additionally, the Double Seconds Pack includes 120 reading exercises that may be studied individually or with the class. Contents include:
Related
Additional information
Related products
Sonata for Unaccompanied Cello Pan
$20.00 Select optionsThis three movement sonata for cello pan highlights the resonant beauty of the instrument while exhibiting its potential as a solo instrument.
Pomp and Circumstance
$45.00 Select optionsProbably Elgar’s best remembered and most played composition from it’s use in graduation ceremonies, this march highlights the ability of the ensemble to present contrasting expressive moods in a single piece.
Be Thou But Near
$30.00 Select optionsThis beautiful aria is often erroneously attributed to J.S. Bach due to its inclusion in the Notebook for Anna Magdalena Bach, but was most likely written by the German composer Gottfried Heinrich Stölzel.