Lemon Law is a fun, upbeat tune roughly in sonata form. The ‘A’ section is swing-based, and contains the ‘head.’ It metrically modulates into the ‘B’ section, which is reggae-based. The ‘B’ section also contains a written-out tenor pan solo. With relatively little transition the piece enters what could be considered the development, combining elements of the piece at various pitch levels. After a fairly lengthy build-up, the A section returns with occasional alterations from what might be expected. Lemon Law was premiered in May 2011 by the Oklahoma City University Steel Drum Band.
Probably Elgar’s best remembered and most played composition from it’s use in graduation ceremonies, this march highlights the ability of the ensemble to present contrasting expressive moods in a single piece.
One of Debussy’s more recognizable and crowd-pleasing pieces, this arrangement is a challenging piece to perform not for its technical requirements, but more for its expressive demands (dynamics and tempo) and the ability for the ensemble to listen to one another.
Lemon Law
$35.00
Lemon Law is a fun, upbeat tune roughly in sonata form.
Description
Lemon Law is a fun, upbeat tune roughly in sonata form. The ‘A’ section is swing-based, and contains the ‘head.’ It metrically modulates into the ‘B’ section, which is reggae-based. The ‘B’ section also contains a written-out tenor pan solo. With relatively little transition the piece enters what could be considered the development, combining elements of the piece at various pitch levels. After a fairly lengthy build-up, the A section returns with occasional alterations from what might be expected. Lemon Law was premiered in May 2011 by the Oklahoma City University Steel Drum Band.
Composer: Jamie Whitmarsh
Genre: Jazz & Latin
Difficulty: Advanced
Instrumentation: T, DT, DS, C, B, (Bass Guitar), Drums
Ranges:
Tenor: C4 – C6
Double Tenor: F#3 – Eb5
Double Seconds: F3 – D5
Cello: B2 – Bb4
Bass: Bb1 – Eb3 (Bass Guitar: E2 – B4)
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Additional information
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